The Dream Scene- Javier Morales (of Quiet Hooves) and crew. Last time they played Boone the party was surrounded by cop cars for a couple of hours but the party never stopped. Recalling the playful sexy vibes of Prince and R Stevie Moore. Forget yourself for a minute and dance like a maniac.

Man’s Trash- Yet another Party Party Partners side project. They recorded a song a day for a year, including one at Espresso News at a Bubbly Mommy Gun/ Red Snapper show back in 2011(?) Really weird stuff.
http://www.partypartypartners.com/sindex.html

Hive Master- Did you see that Rainbow Road set with Cop City Chill Pillars? WILD

Baby Habit

5 Dollars
::::18 +
::::::Dollar PBRS

ESTRANGERS make the kind of classic pop that hides in plain sight, the kind that lingers in the blown-out speakers of vintage thrift store amplifiers and makes you wonder why you stopped listening. Towering melodies, cavernous guitar reverb, lush analog synths and crashing bass & drums are bound together in their bright-eyed Rock and Roll stylings.

http://estrangers.com/

“In my dream, an ozone sky sucks the color from the seaside until it looks like a faded, hand-painted postcard. The beach is deserted, except for a distant gazebo where a clean-cut 1950s couple slow dances. And Estrangers provide the soundtrack. The lo-fi Winston-Salem sextet delivers dreamy/creepy fuzz-pop with yearning broken-hearted vocals. Boasting a gauzy sound that recalls the third, eponymous Velvet Underground LP, Estrangers evoke the pristine chamber pop of The Zombies and the wistful melodies of ‘50s crooner Ricky Nelson. Dual guitars add Jesus and Mary Chain bursts of over-modulated squall, augmented by a pair of jaunty-but-eerie Carnival of Souls keyboards and driving Dave Clark Five drums. It’s fun but slightly queasy, like stumbling upon a sock-hop hosted by David Lynch, complete with free nitrous oxide for all.” – Pat Moran, Creative Loafing Charlotte

NAKED GODS are a “hapless burly-pop prog-punk” quintet based out of the mountains of wes- alright, you’ve heard the spiel before, right? But if you haven’t seen this band live then crawl on out from under that rock and see what the bump in the night is all about. These guys make nervous energy cool, they’re raucous and in many ways larger than life. The ‘Gods are working on their third full-length album and will no doubt have some great new anthems to unveil.

www.nakedgods.com

:: $5
:::: 9:30 pm
:::::: All Ages!
:::::::: Drink specials for 21+

Viking Moses is coming back to Boone! This time in summer on Nathan’s birthday.

The VIKING MOSES was initiated by Southern Missourian Brendon Massei in 2003. The band has a dynamic, rotating cast of both established and obscure musicians worldwide, and is currently based in Northern Appalachia (USA).

More straight forward rock/soul than weird/folk as most of their contemporaries seem to be marketed, Viking Moses� recordings are very accessible in convention, though live shows normally tend to have an unconventional approach, being hosted in unorthodox venues, often having assembled bands night-of, using members of support bands or strangers in the audience. Both aspects are delivered with utmost soul, passion, and humility, and always offer fans and strangers an experience which is unique and often contrary to expectation.

Viking Moses has been finding very fair attention since 2004, thanks to Devendra Banhart’s “Golden Apples…” compilation and good words, followed by a signing by Alan McGee (Creation Records founder, and manager of Oasis, Jesus & Mary Chain, Primal Scream, Teenage Fanclub, Mogwai, Libertines, etc.) which has found Viking Moses high acclaim in UK and Europe, and kept them heavily active in that part of the world these past few years.

Potluck followed by music
::::5-10 dollar donation for Brendon (Viking Moses)
:::::::Open to the public, ask for directions

Younger Siblings, a “four-piece indie-pop band in the oddball sort of vein of They Might Be Giants or The Moldy Peaches,” are so much more than what their modest facebook band blurb suggests. These guys craft deceptively simple and clever songs that evoke all the levity and darkness of youth. If you caught the ‘Sibs the last time they came through Boone, you know that even with a boiled down lineup and skeletal instrumentation incorporating ukulele and electronic drums, these guys are an unsung stronghold of originality in the southeastern independent scene.

Check out their awesome split release with fellow ‘Bama shredders Nightmare Boyzzz, along with other cuts here:
http://youngersiblings.bandcamp.com/

Special Events –
On tour with YS – they’re a rap group that shares members with the terror pigeon dance revolt and yer heart. expect crazy diy light shows with lots of dancing.

Meridian –
Boone’s own dark-synth, melancholic cavewave trio. edit: solo SB performance with video accompaniment.

:: $5
:::: 9:30 pm
:::::: All Ages!

NYMPH is a Brooklyn-based psychedelic-shred/avant-garde outfit whose tempestuously transcendent music has penetrated the New York music scene with bared teeth! This, their self-titled debut album, was recorded by Jason Meagher (of No Neck Blues Band) at Black Dirt in upstate New York and mixed by David Tolomei at DNA in New York City from late autumn 2007 – summer 2009, and mastered by Sarah Register (of Talk Normal) at The Lodge studios in New York City. Originally self-released as a very special limited edition of 333 gatefold double LPs on their label Dog of Junipers, we at The Social Registry are very proud to be bringing the album to wider attention.

NYMPH’S compositional palette encompasses a shimmering kaleidoscope of sound: imagine 13th Floor Elevators essaying a Rahsaan Roland Kirk jam and you begin to get the picture. Or maybe Steve Reich bonging out on Pandit Pran Nath and jamming with This Heat.

NYMPH’s blissful spiritual vibrations and luxuriant execution of showering riffage are woven with an intuitive vocal expression largely free from the semantic bounds of lyric, ultimately finding form in a cavalcade of radiant melody & orgasmic modulation. Newly expanded to a 7-piece ensemble, NYMPH illuminates an extremely magnetic and ethereal live presence sculpted by the metronome of polyrhythmic tides, ebullient brass & subterranean harmonious drone:

“Free jazz, Improv and Psychedelia should be in constant and fruitful alignment. Yet they rarely are. Improvisors are too serious or austere for psychedelia’s transcendental whimsy, rock musicians too turned-on or musically limited to keep up with the jazz. Yet, like a ghost memory of that possibility, NYMPH emerge resplendent: wild, free and gloriously psychedelic…in a hinterland between the acid-fried rock of the Texas plains and the inner journeys of Can or Coltrane.” – The Wire

“NYMPH, from New York, sounds as if it’s from everywhere and nowhere. This group’s first, self-titled album, on the Social Registry label, begins with the sound of Matty McDermott’s hollow-bodied electric guitar, playing curled and emphatic Malian riffs with amplifier settings that sound like Neil Young’s, loud and tough and warm and hugely echoing. Then the record stops and starts through drum rolls and cymbal crashes and rattled bells, with theatrical yelping, wordless vocals by Eri Shoji. And that — give or take a clarinet, a shakuhachi and an electric bass — is pretty much the template for the whole intuitive and sensible, contemplative and bone-rattling album. It knows what it’s doing, and doesn’t need to make it too clear.”
– Ben Ratliff, NEW YORK TIMES

SEXINJURY –
This will be an infinity-off performance from a handful of Boone’s finest psych-lurkers. What it will be cannot be described until the zenith of its existence. Some foreshadowing may be explored at appalachianstudiesrecordings.com.

$5
::: Ages 18+
::::::1 Dollar pbrs

“Give Oulipo’s latest EP a few measures and its title, Primitive Ways, makes sense — skittering beats and cavernous, reverberating vocals overwhelm as a few witchy howls drive the point home… These are not the acid-washed jams that they initially seem; they’re great pop songs, built by offspring of high artistic theory residing in the digital age.” -Shuffle Magazine

http://oulipo.bandcamp.com

Though rising and thriving in the sun-soaked swamps of Central Florida, before huddling in the bed-bug infested tombs of Brooklyn, Alligator Indian weren’t truly forged until Spooky Bubble and Christian Church relocated to the subterranean crystal nexus that is Asheville, North Carolina. It’s here they’ve spent the past two years honing their arts & craft while unfurling a slew of EPs and singles, either through their own machinations or with the help of friends and believers like KillerPOP, Beko-DSL, and most importantly, Bleeding Gold. Spring I’m In is the most chronologically recent release by the band and San Diego’s Bleeding Gold Records.

www.alligatorindian.com

Brain Paint (Boone) – first show!
The latest lurching brain baby from Slopes’ David Cate. Fiercely contorted guitar with bellowing, reverb-drenched vocals – backed by Tyler Hoskinson on drums and Drippy Inputs on bass. Don’t miss this.

$5
9:30
All-Ages

At last! Live jazz returns to Espresso News.

From the capital, led by sax-wielding helmsman Carter Harris, we bring you the impossible cool of Blue Lunar Quartet:
www.bluelunarquartet.com

:: 9:30 pm
:: All-ages
:: Drink Specials for those of legal drinking age.
:: $5 SUGGESTED DONATION (to help the touring band pay for gas on their trip to and from Raleigh)

LA LUZ – All-female, surf-soul from the pacific NW, on Burger and Suicide Squeeze records. Need some motivation, read below…

“Frontwoman/guitarist Shana Cleveland shreds through surf lines as effortlessly as if she were brushing her teeth. Marian Li Pino’s minimalist rolling drums shimmer—initially appearing to be a calm river, the undercurrent is constantly moving forward and pulling you along, threatening to submerge you in its catchy, hypnotic pulse. Plus, there’s Abbey Blackwell on bass and Alice Sandahl on keys, easily pulling off the full-on ’60s sound, the kind of sweet surf rock with a touch of melancholy that should be the soundtrack to the slow-dancing-at-prom scene in every teen movie. During the two live shows that I’ve seen La Luz play so far, I’ve heard ‘This band is totally gonna be famous’ or ‘Dude, they’re gonna be so big'” -The Stranger

http://pitchfork.com/reviews/tracks/14906-sure-as-spring/

>>> http://laluz.bandcamp.com/

w//

DRAG SOUNDS – Like Television, but weirder. From the piedmont of North Carolina.
>>> https://soundcloud.com/drag_sounds

VIEWFINDER – Dreamy Boone hunks dreamily shoegazing.
>>> http://viewfinder.bandcamp.com/

:: $5
:::: 18+
:::::: 10:00

“Other Colors began as the bedroom pop project of Will Ryerson. From these beginnings it bloomed, broadening in scope from homespun 4-track hiss into soaring, mystically enhanced spectral pop. These songs manage to exude undeniable uplift vibes. It’s a carefree, adventurous spirit. Will has a particular gift for birthing earworms, too. They burrow your head for days, almost to the point of being annoying. Testimony of this comes in the song ‘Dark Things’, an effortless bit of refined guitar-pop.” -Faster Louder (Australia)

“I’m constantly amazed by how much weird, awesome music is generated in the dilapidated neighborhoods of Baltimore, my neighboring gritty city. This simple pop will draw you into the ”future folk-rock” hand-crafted by this trio…” -Yvynyl

“As the guitar plays, something else creeps up…an entity…a being…a force…a horn…an organ…an idea…taking the life of this lonely sparsely beautiful rock and haunting it hard. Baltimore’s Other Colors’ solitary magic and expansive lo fi rock is something to take ahold of now. Their S/T album was recorded during last year’s blizzard, and that walled in mystique flows through this gem.” -Pasta Primavera

“Completely fallen for this lonesome, melancholy-dripping ‘spectralist pop’ gem… a slow-burning tune with devastating harmonies drenched in a low-profile, restrained fog of noise and reverb.” -No Fear of Pop

http://genpoprecords.bandcamp.com/album/other-colors

Lollipops
http://thelollipops1.bandcamp.com/

$5
::::::18+
::::::::::Real cheap beer

Music show

SLOPES ///
Shoe gazing haze ripping alt-pop

KATTERWAUL* ///
Primitive garage-soul

MERIDIAN ///
Voluminous cave-wave

*Katterwaul’s full-length cassette debut, “Gimmie Fever” CS-32 ($5 includes limited ed. patch and download).

Surplus flyers from past shows will be available for free, and Light Jockey Wright will be slinging light beams for your viewing pleasure.

:: $5 entry
:::: 9:30 pm
:::::: All-Ages